Tom and Louise meet in a pub immediately before their weekly marital therapy session. With each successive episode we piece together how their lives were, what drew them together and what has started to pull them apart.
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A drama set in the East End of London in 1889, during the aftermath of the “Ripper” murders. The action centres around the notorious H Division – the police precinct from hell – which is charged with keeping order in the chaotic streets of Whitechapel. Ripper Street explores the lives of characters trying to recover from the Ripper’s legacy, from crimes that have not only irretrievably altered their lives, but the very fabric of their city. At the drama’s heart our detectives try to bring a little light into the dark world they inhabit.
Greatest Party Story Ever…And Other Epic Tales showcases peoples’ most outrageous, hilarious, epic tales including everything from debauchery, drunkenness, to even celebrity encounters. The funniest, craziest, most unbelievable stories are brought to life with first-person storytelling & reenacted with their own unique style of animation.
Voyage to the Bottom of the Sea is a 1960s American science fiction television series based on the 1961 film of the same name. Both were created by Irwin Allen, which enabled the movie’s sets, costumes, props, special effects models, and sometimes footage, to be used in the production of the television series. Voyage to the Bottom of the Sea was the first of Irwin Allen’s four science fiction television series as well as the longest running. The show’s main theme was underwater adventure.
Voyage was broadcast on ABC from September 14, 1964 to March 31, 1968, and was the decade’s longest-running American science fiction television series with continuing characters. The 110 episodes produced included 32 shot in black and white, and 78 filmed in color. The first two seasons took place in the then future of the 1970s. The final two seasons took place in the 1980s. The show starred Richard Basehart and David Hedison.
Howard Silk is a lowly cog in a bureaucratic UN agency who is turning the last corner of a life filled with regret when he discovers the agency he works for is guarding a secret: a crossing to a parallel dimension.
Hundreds of years from now, the last surviving humans discover the means of sending consciousness back through time, directly into people in the 21st century. These “travelers” assume the lives of seemingly random people, while secretly working as teams to perform missions in order to save humanity from a terrible future.
Illusionists Penn & Teller throw down the gauntlet to aspiring magicians to perform their most mystifying trick – and fool Penn and Teller. Penn & Teller have no prior knowledge of either the performers or the planned trick. They sit in the audience just like everyone else, watching every move the guest magicians make. If any illusionist fools the professionals, they win a five star trip to Las Vegas to perform as the opening act in Penn & Teller’s world famous show at the Rio Hotel & Casino.
Taken, also known as Steven Spielberg Presents Taken, is a science fiction miniseries which first aired on the Sci-Fi Channel in 2002 and won an Emmy Award for Outstanding Miniseries. Filmed in Vancouver, British Columbia, Canada, it was written by Leslie Bohem, and directed by Breck Eisner, Félix Enríquez Alcalá, John Fawcett, Tobe Hooper, Jeremy Paul Kagan, Michael Katleman, Sergio Mimica-Gezzan, Bryan Spicer, Jeff Woolnough and Thomas J. Wright. The executive producers were Leslie Bohem and Steven Spielberg.
The show takes place from 1944 to 2002 and follows the lives of three families: the Crawfords, who seek to cover up the Roswell crash and the existence of aliens; the Keys, who are subject to frequent experimentation by the aliens; and the Clarkes, who sheltered one of the surviving aliens from the crash. As a result of the decades-long storyline, not a single actor or character appears in every episode of the series. Reception was positive, and the series won an Emmy Award.
When the show was launched, the Sci-Fi Channel used the simultaneous establishment of the organization Coalition for Freedom of Information in its promotion campaign. Both the Sci-Fi Channel and the Coalition for Freedom of Information are clients of Washington, D.C. public relations firm PodestaMattoon, and this apparent co-mingling of clients was criticized. The Coalition for Freedom of Information is a group which seeks the release of classified governmental UFO files as well as scientific, congressional, and media credibility for the study of this subject.