In a gritty and alternate 1985 the glory days of costumed vigilantes have been brought to a close by a government crackdown, but after one of the masked veterans is brutally murdered, an investigation into the killer is initiated. The reunited heroes set out to prevent their own destruction, but in doing so uncover a sinister plot that puts all of humanity in grave danger.
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Detective Carrie Macklin and her little sister Elle had always been the closest of friends. But when Elle goes missing after a run-in with a relocated sex offender, it is up to Carrie to find her little sister…who is nine months pregnant. Carrie begins to suspect Elle’s husband, Scott, may be involved. Family tensions run high as it’s a race against time to find Elle and her baby
After a brutal injustice occurs on a Native American reservation, a son must find redemption for the actions of his past. Road to Paloma is the beautiful journey of two bikers traveling across America’s vast west. While Native American Wolf (Jason Momoa) is being pursued by the FBI for having taken the law into his own hands, when his mother was raped and killed on their reservation he crosses paths with Cash (Robert Mollohan), a down and out musician who is coping with the end of his marriage. An unlikely friendship develops, as they ride together towards the Teton mountain range, where Wolf will spread his mothers ashes.
Johnny flees Manchester for London, to avoid a beating from the family of a girl he has raped. There he finds an old girlfriend, and spends some time homeless, spending much of his time ranting at strangers, and meeting characters in plights very much like his own.
Ethan is a young, shy and rather reserved designer who has suffered from insomnia for many years due to his terrible nightmares. Believing he has a personality disorder he decides to see a therapist to solve his problem, but it will be thanks to the help of his best friend and a medium that he will face a long journey, a journey that will lead him to discover that his nightmares hide a shocking truth, something darker and more sinister than he ever imagined.
Ghosts of Mississippi is a drama covering the final trial of the assassin, Bryon De La Beckwith, of the 60s civil rights leader Medgar Evers. It begins with the murder and the events surrounding the two initial trials which both ended in a hung jury. The movie then covers District Attorney, Bobby DeLaughters transformation and alliance with Myrlie Evers, wife of Medgar Evers, of the, as he becomes more involved with bringing Beckwith to trial for the third time 30 years later. Some of the characters are played by the actual participants in this story.
A new member from the Black Organization that shrunk Shinichi’s body manages to find out about Shinichi’s transformation into Conan. This discovery starts to put those around him in danger as Gin and the other Black Organization members start to take action.
Appalachian filmmakers join together to produce three horrifying, suspenseful, and strange tales. In “Pretty Girl”, a young woman escapes a maniac kidnapper by fleeing into the Appalachian wilderness. Aided by a group of friendly hikers, she must escape the woods or face her darkest fears. “Man Vs Ghost” is the story of an over-the-top host of a public access ghost-hunting show and his sister, who fear that some “ghosts” may be following her home. Desperate for a season finale he can sell to the Travel Channel, the “Ghost Man” tries to cash in on his sister’s paranoia to produce the perfect episode, but may get more than he bargained for. An average Joe is kidnapped and trapped in makeshift death match arena in “The Room”. Forced to fight or be killed, he must find the will to survive against all odds. Three, 30-minute short films by filmmakers from Northeast Tennessee in the heart of Appalachia.
We are with Pasolini during the last hours of his life, as he talks with his beloved family and friends, writes, gives a brutally honest interview, shares a meal with Ninetto Davoli, and cruises for the roughest rough trade in his gun-metal gray Alfa Romeo. Over the course of the action, Pasolini’s life and his art (represented by scenes from his films, his novel-in-progress Petrolio, and his projected film Porno-Teo-Kolossal) are constantly refracted and intermingled to the point where they become one.