A college student starts to experience extreme seizures while studying at a university in Oslo, Norway. She soon learns that the violent episodes are a symptom of inexplicable, and often dangerous, supernatural abilities.
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Simple conversations engender complicated human interactions. The first in Eric Rohmer’s Four Seasons series, Conte de printemps (A Tale In Springtime) is the story of an introverted young girl (Florence Darel) just reaching adulthood who takes a liking to an older woman she meets at a party (Anne Teyssedre) and determines to match her off with her father (Hugues Quester), despite the latter’s already having a lover of his own. There is a certain absurdity to this, apparent to both adults, who though both reluctantly attracted to each other resent Darel’s attempts at matchmaking. Nevertheless, both of them are intelligent enough to understand that there is no ‘proper’ way to meet, and are alive to the possibilities that life brings them. Darel, for her part, is a persistent catalyst. As with all Rohmer films, the stage is set, in an age of increasing impermanence and uncertainty in human relationships, for a series of minimalist reflections on love and life.
Allied agents infiltrate the Nazi rocket complex at Peenemunde in order to obtain their secrets and sabotage the plant.The film alternates between German developments of the V-1 missile and V-2 rocket (with a German cast speaking their own language) and discovery by British Intelligence of the weapon.
A man rescues a woman from a suicide attempt in a gay nightclub. Walking the streets together, she propositions him: She’ll pay him to visit her at her isolated house for four consecutive nights. There he will silently watch her. He’s reluctant, but agrees. As the four nights progress, they become more intimate with each other, and a mutual fascination/revulsion develops. By the end of the four-day “contract”, these two total strangers will have had a profound impact on each other.
The Charles Dickens story of Nicholas Nickleby, a young boy in search of a better life for his recently torn-apart family. A young compassionate man struggles to save his family and friends from the abusive exploitation of his coldheartedly grasping uncle.
She survived a brutal massacre, but lost her life. What happens to the final girl once the credits have rolled? Five years ago, a masked killer brutally murdered a group of friends. Since then, Camryn, the lone survivor, has tried to make sense of the homicidal events and struggled to reclaim her shattered life. Wracked with guilt and paranoia, can Camryn ever have a normal existence again or is she destined to cope alone forever? Part slasher movie, part character study, take a penetrating and intimate look at what happens to the remaining true victim of every horror movie.
When the grim reaper comes to collect the soul of megamogul Bill Parrish, he arrives with a proposition: Host him for a “vacation” among the living in trade for a few more days of existence. Parrish agrees, and using the pseudonym Joe Black, Death begins taking part in Parrish’s daily agenda and falls in love with the man’s daughter. Yet when Black’s holiday is over, so is Parrish’s life.