Exploring the labyrinth of the contemporary art world, The Price of Everything examines the role of art and artistic passion in today’s consumer-based society. Featuring collectors, dealers, auctioneers and a rich range of artists, from current market darlings Jeff Koons, Gerhard Richter and Njideka Akunyili Crosby, to one-time art star Larry Poons, the film exposes deep contradictions as it holds a mirror up to contemporary values and times, coaxing out the dynamics at play in pricing the priceless.
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THE 414s tells the story of the first widely recognized computer hackers, a group of Milwaukee teenagers who gained notoriety in 1983 when they broke into dozens of high-profile computer systems, including the Los Alamos National Laboratory, a classified nuclear weapons research facility.
This feature documentary portrays one of the most important museums in the world, the Kunsthistorisches Museum Wien. It presents a unique look behind the scenes of this fascinating institution and encounters a number of charismatic protagonists and their working fields unfolding the museum’s special world – as an art institution as well a vehicle for state representation.
An in-depth and intimate portrait of Coldplay’s spectacular rise from the backrooms of Camden pubs to selling out stadiums across the planet. At the heart of the story is the band’s unshakeable brotherhood which has endured through many highs and lows.
Director and Writer Eric Dow (“Honor in the Valley of Tears”) brings us his second documentary as he goes behind the scenes of the fan fiction short film, “Batman: Dead End.” In the winter of 2003 commercial director Sandy Collora and some of his friends set out to make a low-budget short film for his demo reel. What they wound up actually doing was making one of the most elaborate, most watched, most talked about and most controversial short films ever made: Batman Dead End. Considering the amount of press and admiration Batman: Dead End garnered,
Declassified FBI and CIA documents help director Paul Davids unravel the puzzle of Marilyn Monroe’s demise, which was officially ruled a “probable suicide,” while providing detailed evidence supporting the conclusion that Marilyn was murdered.
IN MY FATHER’S HOUSE explores identity and legacy in the African-American family, as Grammy award-winning rapper Che ‘Rhymefest’ Smith and his long-lost father reconnect and try to build a new future in Chicago’s turbulent South Side. Himself a child of a broken home, Che hasn’t seen his father, Brian, in over 20 years, and presumes him dead. But after buying his father’s childhood home, Che sets out to find him, and learns that his is now a homeless alcoholic living only several blocks away/ The film offers a probing take on memory and identity in a family two generations removed from slavery as it tracks Che and Brian’s shared journey to create a new legacy for themselves, their community and the next generation of family.
This is a David and Goliath story of one veterinarian’s battle to protect her patients (tigers, lions and even house cats) from big corporations, with their big corporate money, that will shamelessly do anything to animals to increase their bottom line. She starts a grassroots movement that is fueled by passion, but appears to be losing the battle. Then, unexpectedly, she realizes that the corporations accidentally left her a giant loophole. In a scramble to take advantage of this unforeseen gift, she leads the crusade passing legislation protecting animals from de-clawing in seven cities in just six weeks.
Menahem Golan and Yoram Globus were two movie-obsessed cousins from Israel who became Hollywood’s ultimate gate-crashers. Following their own skewed version of the Great American Dream, they bought an already low-rent brand – Cannon Films – and ratcheted up its production to become so synonymous with schlock that the very sight of its iconic logo made audiences boo throughout the 1980s. And yet who could have foreseen how close they came to nearly taking over Hollywood and the UK film industry?
First Descent is a 2005 documentary film about snowboarding and its beginning in the 1980s. The snowboarders featured in this movie (Shawn Farmer, Nick Perata, Terje Haakonsen, Hannah Teter and Shaun White with guest appearances from Travis Rice) represent three generations of snowboarders and the progress this young sport has made over the past two decades. Most of the movie was shot in Alaska.
Thousands of years ago a special, genetically advanced race of beings came to Earth. They were seen as Gods by primitive man and worshipped. They set themselves apart. Some mated with humans and created a special race. When the beings departed, a hybrid species remained and taught mankind. The human race, which had existed for tens of thousands of years as hunters and gatherers, now had systematic knowledge on a startling level. They control our hearts and minds; they control this world; they control every individual from the depths of outer space. From the moment you are born, you are numbered and moved through a process to feed their machine. Nobody is truly free. We are all working for the masters. On rare occasions, they are revealed to the world and in the 18th century we had a glimpse of their massive power. We know them as the Illuminati. From huge international corporations, to hidden governments, from secret societies to medicine, the Illuminati are in control.