Terako (Sakura Ando) is a young woman without a job. She has an affair with Iwanaga (Arata Iura) who is married. His wife is in a coma. One day, Terako’s friend kills herself. After that, Terako sleeps all day long and wakes up only when Iwanaga calls her.
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After witnessing her lover being murdered by his jealous wife, Angela seeks refuge in a church where she encounters a young priest named Michael, who gives her sanctuary. But the killing was not a simple act of passion, as the victim had ties to organized crime, and, surprisingly, so does Michael, whose father is a powerful don. When the priest finds himself falling in love with Angela, his religious vows and family ties are both severely tested.
1941, Ukraine. A group of German soldiers occupy a small town populated exclusively by women and children of German descent, way behind enemy lines. There’s tension from the beginning, that always threatens to erupt in violence from both sides.
Gang leader Jeet Johar and his young, loyal, and often-brutal crew dress like peacocks, love attention, and openly compete with an old style Indo crime syndicate to take over the Vancouver drug and arms scene. Blood is spilled, hearts are broken, and family bonds shattered as the Beeba Boys do anything to be seen and to be feared in a white world.
Entirely shot on green screen, Shakespeare’s Macbeth has been reinvented by director Kit Monkman (The Knife That Killed Me) in an exciting new film adaptation. Starring Mark Rowley, (The Last Kingdom, Luther). Monkman’s unique adaptation successfully bridges the gap between theatre and film to create a wholly new type of imaginative space. This radical new adaptation puts the audience’s engagement with the story centre-stage, amplifying the theatrical context of the original and creating truly innovative and thrilling cinematic vistas, whilst maintaining the language and themes of Shakespeare’s original play. Using background matte painting and computer modelling to generate the world in which the action plays out, the green screen allows Monkman to create his vision of a multi-tiered globe in which the characters play out their various fates.
Former professional skier Kat works as a ski aid and ski shop worker at Bliss Mountain, where she prepares for a Winterfest to drum up business for the quaint town. Widowed father Ty and his daughter Anna come from New York to train with ski champion (and Kat’s former teammate) Maddy, and quickly connect with Kat when Maddy’s coaching style proves to be too aggressive for Anna. A spark forms between Kat and Ty as Kat coaches Anna and prepares for Winterfest with Ty. When a fall down the hill causes Anna to rethink the race and plan to go home early with Ty, though, Kat may lose both her new relationship and her rekindled confidence as a coach. Kat, Ty and Anna must all look deep within to conquer their fears and push forward.
Testament of Youth is a powerful story of love, war and remembrance, based on the First World War memoir by Vera Brittain, which has become the classic testimony of that war from a woman’s point of view. A searing journey from youthful hopes and dreams to the edge of despair and back again, it’s a film about young love, the futility of war and how to make sense of the darkest times.
It’s Christmas and Miranda (Krakow) leaves Seattle with a suitcase full of presents to join her long- lost family in Carlton Heath, where she will experience the joyful traditions she missed as a child. Last Christmas, Miranda fell in love with Ian (Matter), a local man who helped her as she searched for her father, James Whitcomb, a famous theatre actor she believed had a connection to the town. At his widow Margaret’s (Malick) request, Miranda agrees to keep it a secret to protect the family from scandal.
Awkward teenager Charlie Bartlett (Anton Yelchin) has trouble fitting in at a new high school. Charlie needs some friends fast, and decides that the best way to find them is to appoint himself the resident psychiatrist. He becomes one of the most popular guys in school by doling out advice and, occasionally, medication, to the student body.