Queen’s performance at Live Aid at Wembley Stadium in 1985 is often regarded as Rock’s greatest live performance of all time. Their set lasted 21 minutes and consisted of “Bohemian Rhapsody”, “Radio Ga Ga”, “Hammer to Fall”, “Crazy Little Thing Called Love”, “We Will Rock You”, and “We Are the Champions”. Mercury and May returned later on to perform a version of “Is This the World We Created?”
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Nina is totally heartbroken at the death of her boyfriend Jamie, but is even more unprepared for his return as a ghost. At first it’s almost as good as it used to be – hey, even the rats that infested her house have disappeared. But Jamie starts bringing ghostly friends home and behaving more and more oddly.
In this classic drama, Vicky Page is an aspiring ballerina torn between her dedication to dance and her desire to love. While her imperious instructor, Boris Lermontov, urges to her to forget anything but ballet, Vicky begins to fall for the charming young composer Julian Craster. Eventually Vicky, under great emotional stress, must choose to pursue either her art or her romance, a decision that carries serious consequences.
Mali’s Music defines the country’s cultural identity. Radical Islamists are threatening the musicians. Together with the stars of Malian Global Pop – Fatoumata Diawara, Bassekou Kouyaté Master Soumy and Ahmed Ag Kaedi – we embark on a musical journey to Mali’s agitated heart. Can their music reconcile the country? IMDB
The corrupt Lord Ambrose D’Arcy steals the life’s work of the poor musical Professor Petry. In an attempt to stop the printing of music with D’Arcy’s name on it, Petry breaks into the printing office and accidentally starts a fire, leaving him severely disfigured. Years later, Petry returns to terrorize a London opera house that is about to perform one of his stolen operas.
Matt, a young glaciologist, soars across the vast, silent, icebound immensities of the South Pole as he recalls his love affair with Lisa. They meet at a mobbed rock concert in a vast music hall – London’s Brixton Academy. They are in bed at night’s end. Together, over a period of several months, they pursue a mutual sexual passion whose inevitable stages unfold in counterpoint to nine live-concert songs.
A guy who danced with what could be the girl of his dreams at a costume ball only has one hint at her identity: the Zune she left behind as she rushed home in order to make her curfew. And with a once-in-a-lifetime opportunity in front of him, he sets out to find his masked beauty.
Before Bad Brains, the Sex Pistols or even the Ramones, there was Death. Formed in the early ’70s by three teenage brothers from Detroit, Death is credited as being the first black punk band, and the Hackney brothers, David, Bobby, and Dannis, are now considered pioneers in their field. But it wasn’t until recently — when a dusty 1974 demo tape made its way out of Bobby’s attic nearly 30 years after Death’s heyday — that anyone outside a small group of punk enthusiasts had even heard of them.
Set against a backdrop of the Israeli-Palestinian conflict, Palestinian rapper Kareem and his singer girlfriend Manar struggle, love and make music in their crime-ridden ghetto and Tel Aviv’s hip-hop club scene.