You May Also Like
The life of a contestant on a ‘Bachelorette’ style reality show is thrown into turmoil when the sudden death of his father forces him to quit the series prematurely and reconnect with his estranged sister at the family cabin.
Homeless and on the run from a military court martial, a damaged ex-special forces soldier navigating London’s criminal underworld seizes an opportunity to assume another man’s identity, transforming into an avenging angel in the process.
Hushpuppy, an intrepid six-year-old girl, lives with her father, Wink in ‘the Bathtub’, a southern Delta community at the edge of the world. Wink’s tough love prepares her for the unraveling of the universe – for a time when he’s no longer there to protect her. When Wink contracts a mysterious illness, nature flies out of whack – temperatures rise, and the ice caps melt, unleashing an army of prehistoric creatures called aurochs. With the waters rising, the aurochs coming, and Wink’s health fading, Hushpuppy goes in search of her lost mother.
Page Eight is lovingly turned, with elegant writing, a flawless cast and a heartfelt message from writer/director David Hare about the danger zone where spies and politicians meet. The tension builds gently as we follow the fortunes of Johnny Worricker, a jazz-loving charmer who works high up at MI5 as an intelligence analyst. It’s a part made for Bill Nighy and he purrs out bon mots with a weary panache that women 20 years younger find irresistible. One such is his neighbour, Nancy Pierpan (Rachel Weisz), in a Battersea mansion block. The question for Johnny is whether her interest in him is genuine or hides something darker. As his boss (Michael Gambon) puts it: “Distrust is a terrible habit.” Questions of trust, honour and friendship rumble through the play. The characters exchange oblique repartee as a plot about a damning dossier unwinds. It’s not to be missed.
Sara Gold is a young girl on a quest to save man’s best friend. When she goes undercover to take down a dog breeder suspected of wrongdoing, she quickly finds out she might be on the wrong side of right. Sara must make a decision: to continue and follow the orders of her organization, United Animal Protection Agency, or trust her instincts and the boy she’s fallen in love with.
A widescreen, Technicolor remake by Hitchcock of his 1934 film of the same title. A couple (James Stewart, Doris Day) vacationing in Morocco with their young son accidentally stumble upon an assassination plot. When the child is kidnapped to ensure their silence, they have to take matters into their own hands to save him.