La leggenda del santo bevitore (literally “The legend of the holy drinker”) is a 1988 Italian film directed by Ermanno Olmi. It tells the story of a drunken homeless man (played by Rutger Hauer) in Paris who is lent 200 francs by a stranger as long as he promises to repay it to a local church when he can afford to; the film depicts the man’s constant frustrations as he attempts to do so. The film won the Golden Lion at the Venice Film Festival. It is based on the 1939 novella by the Austrian novelist, Joseph Roth.
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Laura (Florencia Colucci) and her father Wilson (Gustavo Alonso) arrive at a cottage off the beaten path in order to repair it since its owner (Abel Tripaldi) will soon put the house on sale. They will spend the night there in order to start the repairs the following morning. Everything seems to go on smoothly until Laura hears a sound that comes from outside and gets louder and louder in the upper floor of the house. Wilson goes up to see what is going on while she remains downstairs on her own waiting for her father to come down. The plot is based on a true story that occurred in the 1940s in a small village in Uruguay. La casa muda focuses on the last seventy eight minutes, second by second, as Laura tries to leave the house unharmed and discovers the dark secret it hides.
Two homicide detectives are on a desperate hunt for a serial killer whose crimes are based on the “seven deadly sins” in this dark and haunting film that takes viewers from the tortured remains of one victim to the next. The seasoned Det. Sommerset researches each sin in an effort to get inside the killer’s mind, while his novice partner, Mills, scoffs at his efforts to unravel the case.
It’s South Africa 1990. Two major events are about to happen: The release of Nelson Mandela and, more importantly, it’s Spud Milton’s first year at an elite boys only private boarding school. John Milton is a boy from an ordinary background who wins a scholarship to a private school in Kwazulu-Natal, South Africa. Surrounded by boys with nicknames like Gecko, Rambo, Rain Man and Mad Dog, Spud has his hands full trying to adapt to his new home. Along the way Spud takes his first tentative steps along the path to manhood. (The path it seems could be a rather long road). Spud is an only child. He is cursed with parents from well beyond the lunatic fringe and a senile granny. His dad is a fervent anti-communist who is paranoid that the family domestic worker is running a shebeen from her room at the back of the family home. His mom is a free spirit and a teenager’s worst nightmare, whether it’s shopping for Spud’s underwear in the local supermarket
Imagine your life is somewhat complete with a house, job, and wife but then your best friend from college comes knocking at your door at 2 AM. During a pot-induced hedonistic party, a plan is hatched between the two friends to create an Art Film of “two really straight men having sex.” If they only knew how much this would affect all of their lives.
Twelve years after their beloved eldest son, Junpei, drowned while saving a stranger’s life, Kyohei and Toshiko welcome their surviving children home for a family reunion. Younger son Ryota still feels that his parents resent that he isn’t the one who died; his new wife, Yukari, is awkwardly meeting the rest of the family for the first time. Daughter Chinami strains to fill the uncomfortable pauses with forced cheer.
Takaki and Akari are two classmates in elementary school. During their time together they have become close friends. Their relationship is tested when Akari moves to another city because of her parents’ jobs. Both of them struggle to keep their friendship alive, as time and distance slowly pulls them apart. When Takaki finds out that he is moving further away, he decides to visit Akari one last time.
Five years after Yippie founder Abbie Hoffman goes underground to avoid a drug-related prison sentence, he contacts a reporter to get out the story of the FBI’s covert spying, harassment and inciting of violence they then blame on the Left.
In the final days of World War II, occupying Japanese forces in the Philippines face resistance from the local population and the American offensive. The dwindling Japanese soldiers attempt to survive through the horrors of war.