Street vendor Marcia is scraping together a living in the ghetto section of Kingston, Jamaica. Her young daughter is being hounded by a rich sugar daddy who has been supporting the family; her brother’s life is being threatened by a local thug. So, when the licentious patron threatens to abandon the family, and her brother breaks down under pressure, Marcia hits bottom. She needs to escape to a haven where she can get lost in fantasy; Marcia, don in sex-me-up clothing and outrageous glamour, finds refuge in the beats of the very dance hall outside of which she normally vends.
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A happy, unsuspecting couple, Max (Dan Wyllie) and Therese (Bojana Novakovic), buy a house in what appears to be a quiet, friendly neighbourhood. Settling in well, they make friends with a nice family on one side and soon meet a more interesting family on the other side. But interesting soon becomes loud and loud soon becomes intolerable. When the intolerable becomes violent and the police are powerless, Max and Therese attempt to take matters into their own hands.
When Tom learns that he has terminal brain cancer, he decides to find a replacement husband for his wife and a father to his daughter, before it is too late. Unbeknownst to his wife Valentine, Tom sets up an on-line dating profile for her, and realizes that he doesn’t know much about her anymore. Tom endeavors to get to know Valentine, and learns why he fell in love with her all those years ago… just in time to say goodbye.
Sexually abused as a young girl, Kate “Ma” Barker (Shelley Winters) grows into a violently powerful woman by the 1930s. She lovingly dominates her grown sons, and grooms them into a pack of tough crooks. The boys include the cruel Herman (Don Stroud), who still shares a bed with Ma; Fred (Robert Walden), an ex-con who fell in love with a fellow prisoner; and Lloyd (Robert De Niro), who gets high on whatever’s handy. Together they form a deadly, bizarre family of Depression-era bandits.
Maybe the 1960s, maybe the future. Seven astronauts wake up in a spaceship, not knowing where they have come from nor where they are heading. As the ship operates by itself, they have ample time to meditate, rather scientifically, on matter, life and the universe.
Hollywood drama loosely based on the life of film actress Jean Harlow, with Carroll Baker in the title role. One of two feature film biographies, both released in 1965 and both with the same title, about the ’30s platinum blonde movie star.