A teenage loner pushes his way into the underworld of a high school crime ring to investigate the disappearance of his ex-girlfriend.
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In the mid-80s, three women (each with an attorney) arrive at the office of New York entertainment manager, Morris Levy. One is an L.A. singer, formerly of the Platters; one is a petty thief from Philly; one teaches school in a small Georgia town. Each claims to be the widow of long-dead doo-wop singer-songwriter Frankie Lyman, and each wants years of royalties due to his estate, money Levy has never shared. During an ensuing civil trial, flashbacks tell the story of each one’s life with Lyman, a boyish, high-pitched, dynamic performer, lost to heroin. Slowly, the three wives establish their own bond.
Ayiva recently left his home in Burkina Faso in search of a way to provide for his sister and his daughter. He takes advantage of his position in an illegal smuggling operation to get himself and his best friend Abas off of the continent. Ayiva adapts to life in Italy, but when tensions with the local community rise, things become increasingly dangerous. Determined to make his new situation work he attempts to weather the storm, but it has its costs.
Based on a stranger than fiction true story, King Cobra is a deliciously dark, twisted plunge into the behind-the-scenes world of the pornography industry. A young Sean Paul Lockhart (using the stage name ‘Brent Corrigan’) is a fresh-faced wannabe adult video performer. He is moulded into a star by Stephen (aka Bryan Kocis), a closeted gay porn mogul who runs the skin flick empire Cobra Video from his seemingly ordinary suburban home. But as Brent’s rise and demands for money put him at odds with his boss, he also attracts the attention of a rival producer, Joseph Kerekes, and his unstable lover, Harlow Cuadra, who will stop at nothing to squash Cobra Video and steal its number one star.
Phil Broker is a former DEA agent who has gone through a crisis after his action against a biker gang went horribly wrong and it cost the life of his boss’ son. He is recently widowed and is left with a 9-years-old daughter,Maddy. He decides to quit the turbulent and demanding life of thrill for Maddy’s sake and retires to a small town. His daughter fights off a boy who was bullying her at school and this sets in motion a round of events that end in his direct confrontation with the local Meth drug lord. His past history with the biker gang also enters the arena, making matters more complex. But he has a mission in his mind to protect his daughter and he is ready to pay any cost that it demands.
A fable of emotional liberation and chocolate. A mother and daughter move to a small French town where they open a chocolate shop. The town, religious and morally strict, is against them as they represent free-thinking and indulgence. When a group of Boat Gypsies float down the river the prejudices of the Mayor leads to a crisis.
Lee Chung is a Prince of Joseon, but he has been taken hostage to the Qing Dynasty. He enjoys boozing, womanizing and gambling. He is also an excellent swordsman. His older brother Lee Young will succeed to the throne and brings Lee Chung to Joseon. He returns after more than 10 years. Soon, Lee Chung faces monsters that run rampant in the night.
Jesse finds himself struggling to get his job back as the Paradise police chief, and he is forced to rely on his cop intuition to sort through a maze of misleading clues and hidden meanings as he attempts to solve a shocking and horrifying mob-related double homicide.
La leggenda del santo bevitore (literally “The legend of the holy drinker”) is a 1988 Italian film directed by Ermanno Olmi. It tells the story of a drunken homeless man (played by Rutger Hauer) in Paris who is lent 200 francs by a stranger as long as he promises to repay it to a local church when he can afford to; the film depicts the man’s constant frustrations as he attempts to do so. The film won the Golden Lion at the Venice Film Festival. It is based on the 1939 novella by the Austrian novelist, Joseph Roth.