Australien Skies is a documentary film that explores the sightings of unidentified flying objects and the people who witness them within Australia.
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This ifilm is a new documentary that explores the controversial use of marijuana and the evolution of mainstream society. From a dangerous narcotic, listed as a Schedule 1 Drug substance since the 1970s, to the rush to decriminalize it today. What has changed and why? What will the cannabis industry look like in five years? Will it retain its integrity as a homegrown industry or be co-opted by Big Business? Experts, growers, celebrities and politicians weigh in on the future of Cannabusiness
Born to Be Wild observes various orphaned jungle animals and their day-to-day behavioural interactions with the individuals who rescue them and raise them to adulthood. The film unfurls in two separate geographic spheres. Half of it takes place in the rain forests of Borneo, where celebrated primatologist Dr. Birute Galdikas assists baby orangutans; the other half takes place on the arid savannahs of Kenya, where zoologist Dame Daphne Sheldrick works with baby elephant calves.
Filmmaker Kevin Rafferty takes viewers to 1968 to witness a legendary college football game and meet the people involved, interweaving actual gridiron footage with the players’ own reflections. The names may be familiar (Tommy Lee Jones and friends of Al Gore and George W. Bush are among the interviewees), but their views on the game’s place in the turbulent history of the 1960s college scene add an unexpected dimension.
As a visually radical memoir, CAMERAPERSON draws on the remarkable footage that filmmaker Kirsten Johnson has shot and reframes it in ways that illuminate moments and situations that have personally affected her. What emerges is an elegant meditation on the relationship between truth and the camera frame, as Johnson transforms scenes that have been presented on Festival screens as one kind of truth into another kind of story—one about personal journey, craft, and direct human connection.
On January 1, 2014, recreational marijuana sales began in Colorado. With all eyes on ground zero of the green rush, The Denver Post became the first major media outlet to embrace it and appointed the world’s first marijuana editor. Legalization is not just an experiment for society, but a risk for the dying industry of newspapers to hedge its bets on the booming business of marijuana. Ricardo Baca sets out to report on history in the making with a team of straight-laced staff writers and fish out of water freelancers in tow for The Cannabist as it unfolds. Policy news, strain reviews, parenting advice and edible recipes are the new norm in the unprecedented world of pot journalism.