Bud Corliss (Wagner) is an ambitious student who is wooing Dorothy Kingship (Woodward) purely for her father’s mining fortune. When he discovers that Dorothy is pregnant with his child, he realizes she is quite likely to be disinherited by her wealthy family. He assures Dorothy that he’ll take care of her, yet he hesitates when Dorothy insists on marrying. Bud then murders Dorothy and stages it in a way that it appears to be a suicide. He then reaches out to her sister Ellen (Leith) with the hopes of marrying her in order to ingratiate himself with her father. After a couple of months Ellen finds evidence to question the suicide verdict, and then discovers Bud knew Dorothy. Ellen struggles to avenge her sister and save her own life.
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The story follows a trio of Japanese youths of Chinese descent who escape their semi-rural upbringing and relocate to Shinjuku, Tokyo, where they befriend a troubled Shanghai prostitute and fall foul of a local crime syndicate. Like many of Miike’s works, the film examines the underbelly of respectable Japanese society and the problems of assimilation faced by non-ethnically Japanese people in Japan.
A lawyer-turned-preacher living in a small Appalachian town is pursued by an eccentric man to represent him in court. Now involved in a case that ties into his own small-town life, the former attorney agrees to help a man.
Page Eight is lovingly turned, with elegant writing, a flawless cast and a heartfelt message from writer/director David Hare about the danger zone where spies and politicians meet. The tension builds gently as we follow the fortunes of Johnny Worricker, a jazz-loving charmer who works high up at MI5 as an intelligence analyst. It’s a part made for Bill Nighy and he purrs out bon mots with a weary panache that women 20 years younger find irresistible. One such is his neighbour, Nancy Pierpan (Rachel Weisz), in a Battersea mansion block. The question for Johnny is whether her interest in him is genuine or hides something darker. As his boss (Michael Gambon) puts it: “Distrust is a terrible habit.” Questions of trust, honour and friendship rumble through the play. The characters exchange oblique repartee as a plot about a damning dossier unwinds. It’s not to be missed.
Monte and his baby daughter are the last survivors of a damned and dangerous mission to the outer reaches of the solar system. They must now rely on each other to survive as they hurtle toward the oblivion of a black hole.
A botched robbery indicates a police informant, and the pressure mounts in the aftermath at a warehouse. Crime begets violence as the survivors — veteran Mr. White, newcomer Mr. Orange, psychopathic parolee Mr. Blonde, bickering weasel Mr. Pink and Nice Guy Eddie — unravel.
Long time inmate Twitch (Kurupt) gets himself transfered to a tougher prison than the re-opened Alcatraz. He claims it’s to be closer to his lady but his real motives are a bit more grandiose. There he crosses paths with Burke (Bill Goldberg) a bulky prisoner who can take care of himself. Twitch, despite being less muscular, is just as mouthy and is pretty much the same. But there is a gang war brewing between the black and hispanic inmates that explodes into a hostile takeover of the prison when the black’s gang leader is shot dead and the finger points at Burke. But the sh!t really hits the fan when the real killer and leader of the hispanics, Cortez (Robert Madrid) takes Twitch’s girlfriend and Burke’s daughter hostage.
In 2005, 20-year-old Ryan Ferguson was convicted and sentenced to 40 years in prison for a crime he did not commit. dream/killer is the story of how his father Bill embarked on 10-year campaign to prove Ryan’s innocence. The film is chock-full of incredible characters. From the questionable District Attorney Kevin Crane, and the highly-confused witness Chuck Erickson, to the high-powered Chicago attorney Kathleen Zellner, the doc depicts both a highly flawed justice system, as well as one that can work brilliantly.