In a mission in China in 1935, Agatha Andrews is a rigid missionary beset by Mongolian bandits led by Warlord chief Tunga Khan. With her are her assistant Jane Argent, staff members Emma Clark, Miss Russell and Miss Binns, head of the British mission, Charles Pather, a teacher at the mission and his pregnant wife Florrie. When Dr. D.R. Cartwright arrives, she agrees to sacrifice herself to the Tunga Khan in exchange for his letting the ladies go free.
This story takes place in a small town on the Hungarian Plain. In a provincial town, which is surrounded with nothing else but frost. It is bitterly cold weather — without snow. Even in this bewildered cold hundreds of people are standing around the circus tent, which is put up in the main square, to see — as the outcome of their wait — the chief attraction, the stuffed carcass of a real whale. The people are coming from everywhere. From the neighboring settlings, even from quite far away parts of the country. They are following this clumsy monster as a dumb, faceless, rag-wearing crowd. This strange state of affairs — the appearance of the foreigners, the extreme frost — disturbs the order of the small town. Ambitious personages of the story feel they can take advantage of this situation. The tension growing to the unbearable is brought to explosion by the figure of the Prince, who is pretending facelessness. Even his mere appearance is enough to break loose destructive emotions…
The last movie from the team of Ismail Merchant, James Ivory, and Kazuo Ishiguro. Set in 1930s Shanghai, “The White Countess” is both Sofia (Natasha Richardson), a fallen member of the Russian aristocracy, and a nightclub created by a blind American diplomat named Jackson (Ralph Fiennes), who asks Sofia to be the centerpiece of the world he wants to create.